USC Advanced Undergraduate Phonology ✳︎ Fall 2019 ✳︎ Smith


Contrast in OT


The challenge

Possible patterns of contrast

Complementary distribution between sounds (no contrast)

Full contrast between sounds

Contextually-limited contrast (positional neutralization)

Contextually limited contrast two ways

Contextually-limited contrast as contextual faithfulness

Lexicon optimization

Recap of important ideas


  1. Very simplified descriptions of some possibilities (feel free to ask me about any of these privately): free variation comes from ties: obvious but difficult to work out, since constructing a tie often requires ignoring some active constraints; Partially Ordered Constraints (Anttila 1997 et seq): constraints are only partially ordered, and unordered constraints are randomly reordered at evaluation; Stochastic OT (Boersma 2000): constraints are partially ordered on a numerical scale, which is used to randomly generate a ranking at evaluation; MaxEnt Harmonic Grammar (Goldwater & Johnson 2007): constraints are weighted, resulting in every candidate getting a numerical harmony score, which is converted into a probability; Noisy HG: like Stochastic OT, but with weighted constraints; Markedness suppression (Kaplan 2011): violations for designated constraints are ignored at random at evaluation.  ↩